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Imagine Entertainment has tapped "Undercover
Brother" co-scribe Michael McCullers to write the script
for the all-CGI adaptation of children's classic "Curious
George."
In addition to "Undercover,"
which he wrote with John Ridley, McCullers wrote "Austin Powers
in Goldmember" with Mike Myers. "Monsters, Inc."
co-director David Silverman is attached to direct the pic.
Based on the character created by Margret
Rey and husband H.A. Rey, "George" will mark
Universal's first foray by into all-CGI moviemaking. "Curious
George" was originally developed as a star-driven, live-action
film in the vein of "How the Grinch Stole Christmas."
One of the world's bestselling children's
book characters, George is an irrepressible but oddly silent primate
who left the African jungle to live with the enigmatic man in the
yellow hat. The series has sold more than 20 million copies worldwide
and has been translated into 14 languages.
Faye Dunaway will co-star with
Jennifer Tilly and Damien Chapa in low-budget feature
"El Padrino" ("The Young Father"), which
Chapa will direct. Shooting begins this week in Los Angeles.
"El Padrino" tells the story
of a young Mexican-American man who is thrust into the world of
drug dealing, masters it, then later questions his own role in a
culture where corruption exists at the governmental level as well.
Chapa and Dunaway co-starred in "The
Calling," which Chapa also directed. Chapa's other directing
credits include Warner Bros.' "Under Siege" and Universal's
"Streetfighter."
Dunaway most recently co-starred in
James Gray's "The Yards," released by Miramax Films
"The
House of 1000 Corpses" may live again, with MGM in talks
to pick up the horror picture that writer-director Rob Zombie
was forced to buy back after horrified Universal executives refused
to release it.
Zombie let slip news of the negotiations,
which MGM confirmed, while interviewing Ben Affleck for MTV's "Movie
House" show.
"MGM is going to put it out,"
Zombie said during the taping. "Apparently, they have no morals
over there. They're happy for some blood."
The picture originally was slated for
release last summer, but Universal backed out of the project after
studio president Stacey Snider viewed a rough cut. She called
it a "significant accomplishment" for Zombie, but said
then that it had a "visceral tone and intensity that we did
not imagine from the printed page." Zombie then bought back
the picture and has been shopping it since.
Zombie, who previously directed music
videos for his own songs and those of other heavy metal heroes,
wrote and directed the $7 million picture. He also recently finished
recording music for the film's soundtrack.
In the picture, two young couples are
stranded when their car breaks down near a town full of bizarre
characters, including a freak-show family led by murderous matriarch
Karen Black. William Haig, Bill Moseley and
Chris Hardwick also star. Previously unrated, the film has
been edited to get an R rating, removing some of the blood and murder,
as part of the deal with MGM.
Zombie, who was a production assistant
on "Pee Wee's Playhouse" and a magazine art director before
hitting it big in music, litters his film with over-the-top imagery
and the kind of mayhem common in '70s-era gorefests. Viewers of
early test screenings writing on fan Web sites said the picture
was visually excellent but relied on many shopworn plot devices
out of horror films past, possibly as homages. They credited Zombie
with much potential as a stylish horror director.
MGM execs said the picture is tentatively
scheduled for a Halloween release. That timing may overlap with
the studio's horror franchise-in-the-making, "Jeepers Creepers
2." The original "Creepers" made about $40 million
for MGM's United Artists banner on a $10 million production.
Zombie has in the past created animation
for the "Beavis and Butt-head" movie, and he was slated
to direct the third installment of "The Crow" before Miramax
backed out. His band, White Zombie, first hit big in 1992, then
he disbanded it after the success of his first solo album in 1998.
Zombie has his own label and even an action figure designed by "Spawn"
creator Todd McFarlane, who also has been creating collectible action
figures based on the monster in "Jeepers Creepers."
Artisan Entertainment has acquired
the urban comedy spec script "Don't Get It Twisted,"
from scribes D.J. Pooh and Marcus Morton.
D.J. Pooh is attached to direct
and produce the picture through his production shingle Lithium Entertainment,
with Donna Chavous and Rick Freeman set to co-produce.
Pic tells the story of twin brothers,
separated at birth and raised at opposite ends of the socioeconomic
ladder. When they meet for the first time as adults, they decide
to trade places.
"D.J. Pooh is a guy that has a
great sense of character and comic situations," said. "This
project has the right attitude to appeal to the core and is a big
enough idea to cross over."
Pooh, who scripted "Friday"
for New Line when Saperstein was a top-level executive there, most
recently wrote, directed and produced Lions Gate Films' "The
Wash," starring Snoop Dogg and Dr. Dre.
Attorney Susan Adamson repped
Pooh in the deal. Erin Austin, Artisan senior vp business
and legal affairs, repped her company in the deal.
Morton was the sole producer of the
Pooh-directed "3 Strikes" through his Absolute Entertainment
banner. He is producing the upcoming remakes of "Foxy Brown"
at MGM and "Nine to Five" at Fox Searchlight. He was repped
by CAA and attorney Irwin Rappaport.
Universal Pictures has closed a deal
with "Pitch Black" writer-director David Twohy
to helm the film's sequel, "Riddick," with Vin Diesel
back on board to reprise the title role. The project will begin
shooting by the end of the year.
The project continues the adventures
of Riddick, a brooding convict who in the first feature was being
transported as part of a space mission that was shipwrecked on a
mysterious planet. The sequel is expected to flesh out the dark
and corrupted universe that was only partially glimpsed in the first
installment.
Twohy is rewriting the material, whose
previous writers included David Hayter and Akiva Goldsman.
Radar Pictures' Tom Engleman
and Scott Kroopf are producing. Radar's Ted Field
is executive producing with Diesel's producing partner George
Zakk. Twohy, repped by ICM, next directs Dimension Films' "Below."
Warner Bros. Pictures has teamed
with Gaylord Films to option the rights to the Hanna-Barbera
characters the Wonder Twins, with plans to make a live-action
family feature.
The news comes just days before Hanna-Barbera's
cartoon series "Scooby-Doo" emerges as a big-screen film
from the studio.
The "Wonder Twins" were originally
featured as part of a group of characters on the 1977 Saturday morning
cartoon series "The All-New SuperFriends Hour," which
saw Superman teaming up with popular DC Comics superheroes for adventures.
Within that group were two youth trainee aliens from the planet
Exxor, known as the Wonder Twins. The male Zan had the power to
change into any water-based form, while the female Jayna could become
any animal. To use their powers, the twins had to touch hands and
shout, "Wonder Twin powers, activate!"
The Wonder Twins also had the power
to telepathically communicate with each other and carried with them
a type of a pager known as Teen Trouble Alerts, which allowed teens
all over the world to contact them if there was a problem. The siblings
had a sidekick as well, a mischievous blue monkey named Gleek.
The studio will now create a family-oriented
feature much like "Scooby-Doo" and "Spy Kids"
that will center on the twins. A writer is expected to come aboard
shortly to write the material, which will be produced by Gaylord's
Hunt Lowry and Casey La Scala. Warners executive Greg
Silverman is overseeing the project.
Television; Top Cast For 'Masterspy: The Robert Hanssen Story'
Wayne Knight, Ron Silver
and Peter Boyle have come on board to star in CBS' miniseries
"Masterspy: The Robert Hanssen Story," about veteran
FBI agent and convicted spy Robert Hanssen.
Knight, best known for his stint as
Jerry Seinfeld's nemesis Newman on NBC's "Seinfeld," is
in final negotiations to play FBI analyst Walter Ballau, a composite
character based on three FBI analysts who were close with Hanssen
(William Hurt) during different stages of his career. One of them
identified Hanssen's voice on an audio tape handed over by Russia's
KGB, which became a crucial piece of evidence in the case against
the spy.
Silver is set to play Mike Shepherd,
the head of counterintelligence for the FBI, who is a composite
of two bosses Hanssen had at the agency.
Boyle, co-star of CBS' hit comedy "Everybody
Loves Raymond," is set play Hanssen's father.
"These are three fine actors, and
I'm very fortunate that I have such good actors working with me,"
executive producer and director Lawrence Schiller said. Mary-Louise
Parker was previously cast as Hanssen's wife, Bonnie.
"Masterspy" is being produced
by Schiller's Oakdale Prods. in association with Fox TV Pictures.
Schiller is executive producing with Norman Mailer. The mini, which
is set to air next season, is scheduled to begin production July
11 in Moscow.
Knight is keeping busy with two projects
this summer. Following "Masterspy," he is poised to segue
to the indie feature "Puppy Love." He is in final negotiations
to star opposite Mary Walsh in the movie from Devine Entertainment.
In the family comedy written by Walsh, Knight and Walsh will play
husband and wife. Knight recently co-starred with Walsh in the Showtime
telefilm "Bleacher Bums."
He also co-starred in the feature "Rat
Race" and "Jurassic Park" and was a regular on NBC's
comedy "3rd Rock From the Sun." Knight is repped by Writers
& Artists.
"Masterspy" reunites Silver
and Schiller, who worked together on another CBS telefilm, the 2000
adaptation of Schiller's book about the O.J. Simpson murder case,
"American Tragedy," in which Silver played Robert Shapiro.
Silver most recently portrayed Bobby
Riggs in ABC's telefilm "When Billie Beat Bobby," and
he played Angelo Dundee in Michael Mann's film "Ali."
He is repped by ICM and Industry Entertainment.
In addition to his Emmy-nominated role
in "Raymond" as Frank Barone, Boyle recently got strong
reviews for his performance in the feature "Monster's Ball."
He is repped by Innovative Artists.
Television; Showtime To Present Original Film 'Power And Beauty'
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Natasha Henstridge as Exner
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Showtime will present the premiere
of the Original Picture "Power And Beauty". One
of the most controversial chapters of John F. Kennedy's rise to
power is seen through the eyes of one of his mistresses in the riveting
true story of Judith Campbell Exner. "Power And Beauty"is
an intimate account of Judith's role as the woman between mob boss
Sam Giancana and President John F. Kennedy. "Power And Beauty"stars
Natasha Henstridge (Species, The Whole Nine Yards) as Exner,
Kevin Anderson (Sleeping With the Enemy, the Showtime Original
Picture Ruby's Bucket Of Blood) as Kennedy and Peter Friedman
(Someone Like You, The Seventh Sign) as Giancana.
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Judith Campbell Exner in 1991.
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Based on personal interviews with Ms. Exner prior
to her death in 1999, her candid chronicle begins in 1975 -- long
after her days of glamour among 1950's Hollywood elite. Back then,
her friends included the famed Rat Pack, whose hard-partying lifestyle
lead to the end of her brief love affair with Frank Sinatra, but
not before he introduced her to Senator John F. Kennedy (Anderson),
who was mounting his 1960 presidential campaign.
JFK came to trust Exner as much as Exner
came to love him. What began with a tryst on the eve of the New
Hampshire primary developed into a dizzying affair which would eventually
connect Exner to the peculiar alliance between the Kennedy clan
and the Mob, specifically with Chicago mob boss Sam Giancana (Friedman).
Although she struggled to maintain her anonymity, years of FBI surveillance
ultimately resulted in Exner's subpoena by a Senate Church Committee
in 1975, compelling her to testify about the nature of her relationships
with JFK and Giancana.
Andy Adelson and Tracey Alexander
(the SHOWTIME Originals Hiroshima and Thanks Of A Grateful Nation)
serve as executive producers for "Power And Beauty", based
on the story by William Bast & Paul Huson and
the screenplay by William Bast & Paul Huson and
Dave Erickson. The film is directed by Susan Seidelman
(the SHOWTIME Original Picture A Cooler Climate, Desperately Seeking
Susan, the Academy Award® nominated The Dutch Master). "Power
And Beauty"is an Adelson Entertainment/Tracey Alexander
production.
Natasha Henstridge has starred
in almost 20 films since her debut as the alien "Sil"
in the sci-fi thriller, "Species." Most recently, she
was seen in the romantic comedies, "Bounce" and "The
Whole Nine Yards." Henstridge's next project is the series
"She Spies," in which she plays the lead. This new show
premieres on NBC this July. She can also be seen in the upcoming
films "Kevin of the North" with Leslie Nielsen, "Steal"
with Stephen Dorff and "It Had to Be You" starring opposite
Michael Vartan and Michael Rispoli.
Kevin Anderson's first brush
with celebrity came while playing a college professor who falls
for Julia Roberts in the 1991 suspense thriller "Sleeping With
The Enemy." Anderson's other film credits include "Hoffa"
(this time as Robert F. Kennedy), "Rising Sun," "The
Night We Never Met," "Firelight," "Risky Business,"
"A Thousand Acres," "Liebestraum," "Miles
from Home" and "In Country." For television, Anderson
was recently seen in the Showtime Original Picture Ruby's Bucket
Of Blood opposite Angela Bassett. Anderson received a Golden Globe(TM)
nomination for his portrayal of "Father Ray" in the television
series "Nothing Sacred." For his performance in the 1999
New York Broadway production of "Death of a Salesman,"
Anderson received a Tony Award® nomination and won the Drama Desk
Award.
Peter Friedman recently starred
in "Someone Like You" opposite Ashley Judd. He is best
known to audiences for his leading roles in the films "The
Seventh Sign" as a priest opposite Demi Moore, and "Single
White Female" alongside Jennifer Jason Leigh and Bridget Fonda.
Friedman can also be seen in "I Shot Andy Warhol," "Safe,"
"Blink" and "I'm Not Rappaport." Friedman recently
originated the lead in Israel Horovitz's new play, "My Old
Lady" at the Doolittle Theatre in Los Angeles. The play moves
to New York's Promenade theatre this fall. On television, he was
a regular in the series "Brooklyn Bridge" and co-starred
in the hit mini-series "Perfect Murder, Perfect Town"
and "Rules of the Game."
Adult; Private Premieres Major Production 'The Private Gladiator'
Private Media Group Inc. a
worldwide leader in premium quality adult entertainment products,
services and content, is pleased to announce the premiere of its
biggest production of the year, "The Private Gladiator"
trilogy.
"The Private Gladiator" utilizes
techniques and production values from mainstream cinema to create
a new standard in adult filmmaking. Filmed in Hungary and Italy,
the Hollywood-style production features 3D digital effects, wild
animals, over two hundred extras, and detailed costumes and studio
sets, including a full-sized replica of a Roman arena.
In order to recreate the atmosphere
of the original "Gladiator", Italian director Antonio
Adamo -- known for his acclaimed Private-Penthouse and Virtualia
series -- used production advisors from the Italian film industry,
professional costume and set designers, and dozens of technicians,
make-up artists, as well as props from the original "Gladiator"
production.
Private is releasing a special Collector's
Limited Edition of "The Private Gladiator", a two-DVD
set which contains the film plus a separate disc of extras, including
the director's cut, the making of the film, interviews, as well
as a booklet with production notes and photos. In May, Private celebrated
the premiere of the production with a special "Gladiator"-themed
party during its annual three-day event at the Cannes Film Festival.
The Private Gladiator is available now
in all quality specialty stores as well as on Private's on-line
shop, shop. private.com .
Charles Prast, President and
CEO of Private Media Group commented: "With the Private Gladiator,
we are taking one more step towards bridging the gap between adult
and mainstream filmmaking. Offering exotic locations, special effects
and Hollywood-style sets, Private always strives to offer the highest-quality
adult films available."
"Our reputation as a high quality
producer attracts not only the best directors in our industry but
ensures that the best new talents seek out Private movies as a way
to enhance their professional standing. The result is better quality,
distribution opportunities and access to a larger market of consumers.
These factors drive Private's growth and profitability as well as
the value of our expanding library across all new media," said
Mr. Prast.
Industry; Global spending on filmed entertainment will be $79bn in 2006, predicts
PricewaterhouseCoopers
Global spending on filmed entertainment
will expand at a promising 5.7 percent compound annual growth rate
over the next five years, increasing from $59bn in 2001 to $79bn
in 2006, predicts PricewaterhouseCoopers as part of its latest
five-year outlook report on the worldwide media and entertainment
sector.
Fueling that growth will be strong box
office receipts, the expansion of local productions and the continued
boost that DVDs will offer the home video market, says the report.
But the one black cloud looming over the filmed entertainment segment,
adds PricewaterhouseCoopers, is piracy, which will adversely affect
spending unless an industry-wide solution is reached.
Looking at the worlds entertainment
and media industries as a whole, the report suggests that weak economic
conditions will continue to dampen spending over the next two years,
but faster growth will resume in 2004 spurred on by the digital
distribution of content.
In fact, PricewaterhouseCoopers anticipates
spending will reach $1.4 trillion in 2006, for a 5.2 percent compound
annual growth rate over the next five years. Digital distribution,
piracy and a rebounding global advertising market will be three
main factors impacting the industry's growth during that period.
Even now, there are signs of remarkable
resilience, claims the report entitled Global Entertainment &
Media Outlook: 2002-2006. Despite the combined "triple whammy"
of spillover from dot-com failures, a global economic/advertising
market downturn, and the impacts of the terrorist attacks last September,
global entertainment and media industry spending grew in 2001 --
rising by 1.5 percent and exceeding the $1 trillion mark.
The near catastrophic year the global
advertising market had in 2001looks set to bottom out. A gradual
rebound is forecast with the ad market beginning to re-solidify
in 2002, gaining strength in 2003, and turning out strong single
digit growth during 2004-2006. Global advertising spending is predicted
to increase at a 4.8 percent growth rate reaching a total of $405bn
in 2006, compared to $321bn last year.
Digital distribution of content, aided
by rising broadband penetration, will be the greatest driver of
new entertainment and media spending in 2005-2006. For example,
broadband connections in the US, driven by music and video-on-demand
content that require high-speed connectivity, will surge from 9.4m
households in 2001 to 35.3m in 2006 -- nearly equaling the narrowband
sector at 38.2m households.
The entertainment and media sectors
promising future is coming -- it's just taking a longer and
more circuitous path than initially expected," said Kevin
Carton, global leader of PricewaterhouseCoopers' entertainment
& media practice. "To see where the 'digital evolution'
is headed, take a look at the surge in spending for digital cable
and broadband Internet access. Consumers who've demanded a
more diverse entertainment experience are leading the charge by
subscribing to these upgraded distribution platforms, and new and
more diverse content offerings will follow."
Breaking the report into regions, PricewaterhouseCoopers
identifies the US as the last market last year, with total spending
on entertainment and media reaching $438bn. The US projected to
expand at a 5.5 percent growth rate through 2006, with Internet
advertising and access spending enjoying significant double-digit
growth, due mainly to broadband and subscriber upgrades to higher-priced
access packages. Increased channel capacity will in turn also spur
the US television distribution market, which is expected to soar
to $100bn in 2006
Europe, Middle East and Africa (EMEA)
is the second largest region with 2001 spending of $339bn. Once
again, the Internet will be the fastest growing segment in this
region over the next five years, followed by sports, which will
be bolstered by the 2006 World Cup in Germany and its associated
television rights. The region will continue to experience moderate
growth for the duration of the forecast period, with spending reaching
$426bn by 2006.
Robert Boyle, European leader
for PricewaterhouseCoopers' entertainment & media practice,
said that Europe, Middle East and Africa will continue to
grow at a pace reflecting consumer demand for new entertainment
and information options. We project strong growth in Internet and
TV networks and distribution, fueled by consumer desire for digital
technology and multi-platform access to premium content such as
sports, movies, news and business information."
Asia/Pacific's industry will be fueled
by telecommunications deregulation, low Internet penetration levels
that leave room for substantial growth (a 17.3 percent growth rate
is expected), as well as government initiatives to promote Internet
usage. In addition, the 2002 World Cup in Japan and Korea will bolster
the Sports market.
"Despite the sluggish Japanese
economy and lost revenues due to piracy, the Asia/Pacific market
has a promising future, with strong consumer markets for Internet
and multi-channel television and DVD offerings," commented
PricewaterhouseCoopers' Asia/Pacific entertainment & media practice
leader, Marcel Fenez.
Growth in the Latin American market
will continue through 2006. Low Internet and television distribution
penetration rates have left significant room for expansion and will
be the main reasons these sectors will be the fastest growing over
the forecast period, with compound annual increases of 24.3 percent
and 9.0 percent, respectively.
Canada, the smallest region with $24
billion in entertainment and media spending in 2001, is expected
to be the fastest growing, at 5.7 percent growth rate. Primary drivers
there have been an advertising market that has held up relatively
well despite the global economic downturn; a healthy home video
and film production business; and the establishment of new digital
channels.
Music; Jackson Joins Coalition Against Music Labels
Michael Jackson, considered to
be among the best-compensated artists in the recording business,
has become the latest star to call for justice in the way music
labels treat their artists.
Jackson said on Wednesday he has aligned
himself with the Rev. Al Sharpton and attorney Johnnie
Cochran Jr., who earlier in the day announced they were forming
a coalition to investigate whether artists are being financially
exploited by record labels.
"Record companies have to start
treating their artists with respect, honor and financial justice,"
said Jackson in a statement. "Therefore, I am proud to join
this coalition which represents all artists."
Sharpton, better known for his civil
rights activism, said too many artists end up bankrupt after years
of making millions for record labels.
"It is our intention to break up
the kinds of indentured servant-type of arrangement that many in
the record industry now have with record companies," he said.
"We hope that this initiative would make it possible where
one day the artist on the CD is as big as the companies that put
out the CD."
The pair said they had been contacted
by several artists who have complained about record label practices,
including policies that force stars to pay for promotional costs
such as videos.
"How would it be if Derek Jeter
had to pay for his bats, and balls and glove to go out and pay for
the Yankees?" Cochran asked. "It's unfair."
Cochran and Sharpton said they would
be willing to work with the Recording Artists Coalition, which is
demanding new relationships with record labels, including fairer
contracts and more oversight of accounting practices. Don Henley,
Sheryl Crow, the Dixie Chicks, Billy Joel and Clint Black are among
the artists who are part of that coalition.
Jackson is considered to have one of
the most lucrative contracts in the record business. Jackson's involvement
in the Sharpton-Cochran coalition comes as he battles with his longtime
record label, Sony Music. His latest album, Invincible, has
sold about 2 million records but has dropped off the charts since
its October release and is considered a commercial disappointment.
A gossip column in Wednesday's editions
of the Daily News quoted an unnamed executive who said Jackson
was using Sharpton and Cochran to try and get out of his contract
with Sony and owed the company $200 million for promotion and studio
time.
In his statement, Jackson said: "For
Sony to make a false claim that I owe them $200 million is outrageous
and offensive."
In response, Sony said: "We have
never issued any statement verbally or in writing claiming that
Michael Jackson owes us $200 million. As a result, we are baffled
by the comments issued today by his press representatives."
At their news conference, Sharpton and
Cochran denied the coalition was started to help any particular
artist, although Sharpton acknowledged talking to both Jackson and
Sony Music chairman Tommy Mottola.
"Clearly Mr. Jackson has lawyers
to deal with his contract," Sharpton said. Cochran helped negotiate
a settlement between Jackson and a 13-year-old boy who accused the
singer of child molestation charges in 1993. Charges were never
filed, and Jackson maintained his innocence.
Eliane
Chappuis
Eliane has just completed filming in
Rome for Martin Scorsese's "Gangs of New York"
a Miramax Film. She is currently working on a Vincent Gallo project
and has also just completed filming "The Violent Kind",
directed by Scott Morgan.
Eliane was born at the Queen of Angels Hospital in Hollywood, to
swiss-french-vietnamese parents. Just six months old ,her parents
decided to raise her in Bern, Switzerland, with her siblings, where
she spent her childhood. Growing up in the international capitol,
she became fluent in five languages, a talent that has influenced
all aspects of her life.
She attended a Waldorf school with a curriculum that strongly emphasized
the arts. There she performed in lead roles for school productions.
Passionate about personal expression through artistic creation,
she divided her time between acting, fine art, and poetry, which
she recited for her fellow students. Eliane debuted at the National
Theatre in Bern at the age of twelve in such Musicals as "Oliver
Twist," "Wizard of Oz" and Operas like " Lulu"
and "I Cavallieri Rusticana." Playing characters as diverse
as orphans, ballerinas, and opera singers planted a desire in her
to seek challenging, unusual roles that use as many of her talents
as possible.
As a teen growing up in Switzerland, Eliane would help her Mother
with her Refugee Relief work for The Swiss Red Cross. Her mother
is still actively involved with Refugee work. Watching her mother
help others throughout her childhood developed in Eliane both compassion
and passion for life that is reflected in her performances, poetry,
songs, and spiritual studies.
At the age of seventeen, Eliane...after a near-death experience
almost gave up her hopes of ever performing again. Her strong spirit
and family helped her through a successful recovery, after which
she became the youngest actress to be accepted by the National Academy
of Acting in Zurich. There, she honed on her theatrical craft to
a keen edge and began appearing in Swiss movies.
During her time at the Academy, the modeling world discovered her.
She quickly became known as an interesting face as a model and worked
for such international designers as Christian Lacroix in Paris and
Vivienne Westwood in London.
Her well-trained voice and knowledge of music from Vietnam's old
Imperial City led to an invitation to perform for Vietnam's last
Emperor on two occasions. She has also performed for longtime friend
and world renowned Zen Master Thich Nhat Hanh, who was nominated
by Martin Luther King Jr. for a Nobel Peace Prize. Besides singing,
Eliane plays violin and had the honor of performing under the conduct
of Sir Yehudi Menuhin during his visit to Switzerland.
Upon Eliane's first return back to the United States at age eighteen
she was invited to attend Robert Redford¹s Sundance Workshop. There
she studied American film while assisting on projects such as Tony
Bui's "Three Seasons." This fueled Eliane's desire to
be in film. Following the Workshop, she was then cast in a number
of independent films like "Soundman" which traveled to
many international Film Festivals, including a lead in a German
TV-series for Pro 7.
While she pursues her love for acting and singing on three continents,
Eliane still loves to just spend time in nature with her family
& friends sin Switzerland or be involved with a new help work
in Nepal, India...currently being documented...
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